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“If Weisberger’s novel focuses obsessively on every sharp word and withering glance her evil dragon-lady boss ever threw her way, the movie lets us in on what keeps her there,” wrote Carina Chocano in The Times’ review of the movie.Įntertainment & Arts Lady Gaga, Eurythmics, White Stripes: How that viral ‘Moulin Rouge’ medley came to be In fact, the movie made working under Meryl Streep’s ice-cold editor seem simultaneously agonizing and alluring watching Anne Hathaway’s Andy suffer in that hellish assistantship was only slightly less satisfying than seeing her succeed. The 2006 film adaptation of Weisberger’s book went on to gross $326 million worldwide largely because of its voyeuristic framing: Audiences could indulge in the excess and elitism of a widely worshiped style bible without actually reporting to Miranda Priestly, who plays a Wintour-esque character and degrades employees with a mere pointed look. It's those moments I really like.It’s common knowledge that the coveted, cutthroat magazine depicted in the novel “The Devil Wears Prada” is a thinly veiled Vogue, where author Lauren Weisberger briefly worked as an assistant to longtime editor Anna Wintour.
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I remember going back and forth on songs with some of the girls from the band Warpaint and I was really surprised because I didn't realize they were DJing out, playing some of those same things that I was, but then also introducing me to some different things. There was this song by this early-’80s band Kleenex-Kim Gordon from Sonic Youth was on and it was something she played. I remember when the artist Doug Aitken was on my show, there was some German things and also some world-psych things that he kind of put me onto. “What I think about are these moments-it's, selfishly, music that I got turned on to by different people that I didn't expect. Who have been the guests you learned the most from? You listen to the playlist and you discover other things.” I think one of the things that I do really like in the streaming world is the wormholes. And at this point, thankfully, I have cool kids who listen to cool music, so there's always this exchange and sharing of music that way. Number two, it's just the same old way of just friends. Both in terms of old records that are new to me and new records and reissue records, there's nothing that beats going to a record store in terms of getting the biggest grab of music and inspiration in one hit. “Part of the answer is the same way I always have. Somewhere a hard drive exists that has our two or three attempts at doing these shows.” I remember we were in our studio we had in New York City, Oscilloscope, that was actually Yauch's place, and we were like, we'd like to have a show and just play stuff we were into, nothing more complicated than that. “I feel very grateful that we somehow had been inspired by all this music that we love and then that's helped some of our fans dig deeper and discover more. How does that idea connect to what Beastie Boys did as far as surfacing artists who shaped you? And I thought, 'You know what? That could be a cool show.'” What is this?' And they’ll put something on and it's kind of this back-and-forth dialogue. Then one day it kind of came to me: When I have friends come over to my house-and it's been this way since I was 12 years old-I'll put on a record and they'll be like, 'Oh, cool. And I didn't want to just do a show for the sake of doing a show and not have a vision or an idea of where I'm going with it. “I remember years ago, as a band, we kind of always wanted to have a radio station-maybe a show-but technology didn't really exist that aligned with that. What drew you to wanting to host a radio show? “Either by just trying to sound like something or sampling something or talking about it in our lyrics, we were like a gateway band.” Below, he speaks more about that connection. “I think, in our own way, we ended up being a radio station of our own design because we were inspired and informed by so much different music that we put into what we made,” Mike D tells Apple Music.
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After three decades with his record-breaking, culture-shaking band, he’s designed magazine covers, record sleeves, and his own wallpaper and accessories. We the best.” From the mind of Beastie Boy Mike D comes The Echo Chamber. “Artist-generated, dolphin-friendly, Auto-Tuned when needed.